Publications

  • Comparing and Contrasting Art, Palo Alto Daily News, July 3, 2010
  • String Theory Series, catalogue for an exhibition of paintings by Irene Belknap, Artbrokers Gallery, Sausalito, CA, November/December 2008
  • Eternal: Selected Landscape Paintings byJames Warren Perry, Catalogue for Exhibition, Morris Graves Museum of Art, Eureka, CA, April/May 2008
  • The Quest for the X-Box 360, RossValleyTimes, January 2006
  • The Representational Paintings of James Warren Perry, RossValleyTimes, March, 2006
  • Fork Restaurant, Review, RossValleyTimes, April 2006
  • Monthly Newsletter, Jessie et Laurent, October 2005 – February 2006
  • A Feast of Small Surprises, Authorhouse, July 2005
  • Irene Belknap, Mill Valley Community Center, California, Art Papers (November/December 2003)
  • Andreas Gursky, Centre Pompidou,” Paris, France, Art Papers (September/October 2002)
  • Apocalypse, Beauty and Horror in Contemporary Art, Royal Academy of Arts,
    London, England, Art Papers (May/June 2001)
  • Bruno Bressolin, Galerie La Peripherie, Paris, Art Papers (May/June 2001)
  • James Huckenpahler, Kiang Gallery, Atlanta, Georgia Art Papers,
    (November/December 2000)
  • Salut! La Vieille Ferme, advertisement for Cornel Rubino’s lithograph for Vineyard Brands, Spring 1999.
  • Margee Bright Ragland and Seree Andree, Ariel Gallery, Atlanta, Art Papers,
    (January/February 1999).
  • The Awakening of Turtle Island: Portraits of Native America, Dekalb Council for the Arts, vol. 3, no. 1, Atlanta, (Spring 1998).
  • Scott Chamberlin, Kiang Gallery, Atlanta, Art Papers, (March/April 1997).
  • Cornel Rubino, ‘Senso;’ drawings and paintings, Exhibition, James Earl Carter Library,Georgia Southwestern State University, Americus, Georgia (April 25 – May 19, 1997).
  • Mirtha Ferrer, Atlanta, Art Papers, (July/August 1997).
  • Patricia Campbell, Profile, Fiber Arts, vol. 24, no. 1, (Summer 1997).
  • Junco Sato Pollack, Atlanta, Fiber Arts, vol. 23, no. 3, (November/December 1996).
  • Louise Bourgeois, Museum of Modern Art, Paris, Art Papers, (January/February, 1996.)
  • Mappamundi: A Collaborative Installation by Laurel Robinson and Leslie Kneisel, Albany Museum, Albany, Georgia, Art Papers, (March/April, 1994).
  • Painting Around the Phallus; Why Women Artists Rarely Portray the Male Nude, Savante, 2/5, Amsterdam, The Netherlands, (Fall, 1993).
  • Rik van Iersel, (Eindhoven, The Netherlands, Kempen Press, 1992).
    {English text on contemporary Dutch artist Rik van Iersel}.
  • Artistic Vision and the Canon Bubblejet A1,
    (The Hague, The English Text Company, 1992).
  • Katherine Shand, Miriam Shiell Gallery,
    Toronto, Canada, Art Papers, 15/4,(July/August, 1991).
  • Ray Mead, Amsterdam, Netherlands, Art Papers, 13/6,
    (November/December, 1989).
  • David Shapiro, Robert Jessup, Atlanta, Art Papers, 12/6 (November/December, 1988).
  • Sandi Grow, Atlanta, Art Papers, 12/3 (May/June, 1988).
  • Juried Exhibition: Arts Festival of Atlanta, Art Papers, 12/1 (January/February, 1988).
  • Masochistic Tendencies in Women: Biological or Mythological?  A Critique of ‘The Significance of Masochism in the Mental Life of Women.’
    Mind and Nature,  Emory University, 5 (Fall, 1985).